What is it about certain movies that, through their use of symbolism and imagery, compel us to start digging below the surface to see what cryptic messages and hidden meanings can be unearthed? I’m not exactly sure, but Star Wars is a prime example of this phenomenon.
If you have spent any amount of time on the Internet at all in recent weeks, you have no doubt run across countless articles on the political implications of the latest installment in the most popular science fiction saga of all time. So, rather than focus on the movie, I would like to address what many “conservatives” believe is an attack by the creator of Star Wars on George W. Bush.
Spend some time on Republican websites like FreeRepublic.com or PABAAH.com (acronym for Patriotic Americans Boycotting Anti-American Hollywood) and you will discover that George Lucas is to the war in Iraq what Jane Fonda was to the war in Vietnam. A fair comparison? Sure, if you happen to think that anything even remotely resembling criticism of Bush is treasonous, anti-American rhetoric.
In all fairness to the neocon witch-hunters who have either blasted or boycotted Revenge of the Sith, Lucas hasn’t exactly been shy about his political leanings. He has spoken out on what he sees as the sacrifice of freedom in the name of national security. “It is just one of those re-occurring things,” he said, according to a recent article in the Winnipeg Sun. “I hope this doesn’t come true in our country. Maybe the film will awaken people to the situation of how dangerous it is … The parallels between what we did in Vietnam and what we are doing now in Iraq are unbelievable.”
There is no question that Lucas had politics on the brain in the 1970s when he began writing about that epic struggle in a galaxy far, far away. Our nation was engaged in a war of its own–complete with forced conscription–and was in the midst of a cultural revolution, and young people were taking a much greater interest in social issues. Naturally, if Star Wars was born during such a turbulent time, one would expect similar themes to appear in subsequent movies.
Lucas remarked that “one of the main features of the back story was to tell how the Republic became the Empire. At the time I did that, it was during the Vietnam War and the Nixon era. The issue was: How does a democracy turn itself over to a dictator? Not how does a dictator take over, but how does a democracy and Senate give it away?” These are simply the kinds of questions people have asked themselves throughout history, nothing that would indicate that Revenge of the Sith was written specifically as a slam against George W. Bush and his doctrine of waging pre-emptive war.
The first episode of the prequel trilogy, The Phantom Menace, was released in 1999 while Bill Clinton was still in office, and by then the entire plotline for the two remaining movies had already been established. Everyone knew that over the next few years we would witness the fall of the Republic, the rise of the Empire and the final transformation of Anakin Skywalker from noble Jedi Knight to evil Sith Lord. Just because the final film shows an irate Anakin saying, “If you’re not with me, you’re my enemy,” we’re supposed to think that this film is a scathing political critique of the president? I think people are giving George Lucas more credit than he deserves.
The “patriotic” backlash against the latest Star Wars flick is much ado about nothing. Yes, Hollywood has a distinctly leftist slant, but it’s only a movie, folks.
There is, however, one interesting point that’s worth noting. While some people may try to draw parallels between the Sith and the Bush administration, it is so-called “conservatives” who see this rather nonspecific tale of a rising police state as a direct attack against President Bush and his policies. What does that tell you?